2011
– Last 100 Days
Prodigal
Altar Boy Countdown
T-12
Days to Go
19
December 2011
Goal:
1 hour per day working on the film
Details:
I
picked up the finished paintings from artist Jesse Wieman today. They are fantastic! He started from the archival Virginian-Pilot photographs
(which I licensed) and took off from there like a rocket. One thing I learned is when it comes to
commissioning art, less (guidance) is more.
Jesse consulted with me, but I made a conscious effort to give him as
much freedom to add his own spirit to the pieces and the results were outstanding! Nothing I could have told him in words would
have resulted in the creativity Jesse brought to those images. With the TQ close-up, he saw exactly what I
saw in that picture and gave it a graphic novel edge. The colors and the drips send myriad clues to
the subject. Now the pressure is on to
weave this into the movie in a way that wrings every drop of emotion from the piece. Well-played, Jesse, well-played!
The
Nat Turner piece jumps out at you.
Again, a choice of colors that brings to torture on Nat Turner’s (Phil
Lucas, PhD.) was the actor in the photograph) out in sharp relief. I am speechless on this one. I promised Jesse I would supply him with a
short description of the subject he can display with the painting if he does
copies of it. A slave in chains is one
thing, but when the casual viewer reads the Confessions of Nat Turner was TQ’s
choice for the Easter Liturgy, it just adds to the content of the piece.
Now,
I can hear you asking already, “Cal, if these paintings are so great, how come
you’re not posting pictures of them in this post? Well, if I just busted them in today’s post,
you wouldn’t have anything to look forward to, now would you? I am saving Jesse’s latest works for the last
ten days of 2011. It will be a series, “Top
Ten Things I Learned from This Blog.”
Actually, I just made that up, but I like it. I promise Jesse’s latest works will be
somewhere in that series. Until then,
you’ll have to do with the photographs that inspired the paintings.
Watched
Karen Everett’s Story Doctor Kit Module #4 – Pacing and Tone
- Solution for Soapbox Films
- Location shots Between Scenes
- Music Stings
- Narration “ins and outs”
- Cutting on Gestures
- Too Many Tangents
- Links Between Ideas
- Protagonist's Statement of Desire
- Midpoint and Character Transformation
- Information Overload
Total time: 90 minutes
Goal: 30 minutes per day music practice
Details:
Warm
up on the MojoCaster
Inversion
Excursion video – C Major inversions 1st, 2nd and 3rd
strings
Pat
Metheny Etude, exercise #1 bars 1-4 25X
Total time: 30 minutes
Goal:
15 minutes exercise per day
Details
Viking
Warrior Conditioning
15:15
Protocol
7
reps per set
40
sets
Time:
20 minutes
Goal:
15 minutes per day working on the score for the movie
“Dies
Irae” – 25X run-throughs of the whole piece
“Dies
Irae” – focus work on solo, dyads and octave climbs
“Granby Street” on the MojoCaster (focus: lyrics, vocals, ending)
Gospel
Skillz R&B chord work
E
– B/D# - C#m7 – A chord work
Total Time: 30 minutes
Notes: Twelve days and counting.
Would you say
that to a child?
Jot
down or audio record your self-talk for an hour. Review the notes you have or listen to the
audio and ask yourself, “Would I say that to a child?” Self-talk can be so incessant we barely pay
attention to it, but the subconscious is right there, hanging on every word. Take time to monitor your self-talk and assess
if it is mostly negative, neutral or positive.
At the risk of sounding like Stuart Smalley, we should never minimize
the effect negative self-talk has on our attitudes and actions. We should re-work the “Sticks and stones…”
adage and acknowledge words can be hurtful, but we have a vote in how we feel
about ourselves. I did a post on “The Language of Manipulation,” which is a good touch point to start a discussion on
taking responsibility for how you feel about yourself by being on guard against
manipulation. Cynics will respond we are
always manipulated. To a degree that is
true, but I believe increasing your sensitivity to manipulation gives you the
power to decide whether you will be manipulated. External manipulation is one thing, but when
we talk about self-talk, that is something completely within our power to
monitor and change. We often demand
more of ourselves that we would demand of our closest family member. As we head into the New Year, think about
moderating your negative self-talk as something to add to that laundry list of
resolutions we will compile. Give
yourself a break!