2011 last 100 days
Countdown:
81 Days Left
Day: 19
10 October 2011- Goal - 1 hour per day doing some work on the movie:
Watced Karen Everett video:
"Organizing Your Footage"
Watched this module again and took notes. Used points from this module to craft a to-do list for editing preparations:
- Create a footage guide using Word by inserting a table of four columns and 25 rows.
- Create bin and sub bins for raw footage to edit in Vegas:
- +Master Clips
- +Sequences
- 1_Selects
- 2_Assembly Cut
- 3_Rough Cut
- 4_Fine Cut
- 5_Locked Picture
- 6_Color Correction (optional)
- Interviews
- Archival footage
- FX
- Music
- Narration
- Stills
- Titles
- Verite footage
Time: 45 minutes
- Goal: 30 minutes per day basic music work:
Details:
Electric warm ups on the Roland Strat
30 minutes
D-sus work
Granby Street swapped second and third verse opening line
“Talkin' Loud and Sayin' Nothing” - Living Colour version
“It’s Your Thing” - Isley Brothers
Total time: 30 minutes
- Goal: 15 minutes per day (minimum) exercise:
15 minutes walking (ugh!)
- Goal: 15 minutes per day (minimum) scoring work for the movie:
Details: “Dies Irae” on the Von Frankenstein. Octave and Dyad work as well as focus on the piece as a whole.
“Granby Street” on acoustic with lyrics swap.
“So What” - Miles Davis
R&B Chord work
E - B/D# - C#m - A progression work
D-sus acoustic work
Total time: 30 minutes
Notes:
Good
guitar work today. Very good use of a day off. I keep watching the
short clip from Mount Olive Baptist Church. I realize “carbon copy” is a
dated metaphor lacking contemporary punch. Few people today know what
carbon paper is. The “xerox of a xerox,” or better yet, “copy of a
copy” is a better analogy conveying that while each iteration (copy) of a
mechanical copy of a document may convey the information (words) of the
original, each successive copy blends blurs and blunts the impact of
the original. I had a discussion with Chris Schafer about this and he
agreed that much of the worship music he and I have played on different
worship teams has a generic tenor. I’ll go further to say authentic
worship must have its roots in the worship experience of the player.
Listening to the Mount Olive worship, I realized my connection to that
(ahem) “style” of worship.
Discuss amongst yourselves.
