The Prodigal Altar Boy

Showing posts with label TQ Funeral. Show all posts
Showing posts with label TQ Funeral. Show all posts

Monday, April 30, 2012

THE PRODIGAL ALTAR BOY BLOG - TQ ON RACE PART II

THE PRODIGAL ALTAR BOY BLOG
180-DAY COUNTDOWN
T-180 DAYS AND COUNTING

Karen Everett Inner Circle Work:
Finished Inner Circle paperwork and input information for the Inner Circle web page. 
Asked Karen about getting maximum production value from a fixed position, such as Friday's upcoming funeral.

Small Shoot Kit list
  • XL1s
  • Canon batteries
  • Tripod
  • 3X lens
  • 14X manual lens
  • Zoom Q3 (2)
  • AA lithium batteries (8)
  • On board LED light
  • Zoom H4n
  • 32GB memory card
  • 16 GB memory card
  • Mini-DV tape
  • Panasonic 3-chip camera

Music Practice:
Stratocaster Warm-ups
Inversion Excursion work
"So What" Miles Davis
Cmin R&B grove work

Body Work:
L.A. Fitness workout
Barbell Bench press 8X8
Barbell Decline bench press 8X8
Barbell Incline bench press  8X8
Treadmill: 20 minutes 60/30 second interval work.

TQ on Race – Part II
(Excerpted from the paper, Father Thomas J. Quinlan, “Fool For Christ”)


TQ addressed how harmful stereotypes permeated issues such as which mass people attended.  He noted that few whites attended 5:00PM mass at St. Mary’s (predominantly black), “That’s in the black neighborhood, and I’m afraid my car will be stolen. If it were a poor white neighborhood it would be the same thing, but they don’t see that. Black equals bad, bad equals inferior.”  This observation mirrors the findings of Maddox and Gray who found skin color as an important factor in white and black representation of African-Americans (Maddox & Gray, 2002), as well as Dixon and Maddox’s findings that dark skin tone was all that was needed to trigger racially stereotypical associations with black criminals (Dixon &; Maddox, 2005).
Maddox and Gray write that “light skin is generally valued over dark skin,” and TQ observed this first hand, recalling an African-American/Filipino family in the parish where he saw the lighter skinned children were treated better than the dark-skinned youngest son.  He also related how the nuns would choose the light-skinned girls to crown the Virgin Mary during the May Procession.  When asked how he changed predominantly black St. Mary’s views on race, he replies, “When I went there, they were a colored parish,” and relayed how most of the parish hierarchy were “high yellows,” acknowledging, “It’s a skin thing, but it’s a sociological category for me.” 
Part of TQ’s communication strategy with the African-American community was to use his actions as a priest, friend and advocate to reinforce his genuine concern for the parish.  His non-verbal actions had to reinforce his communication.  His observation that it takes a long time for black people to trust someone, especially if they are white, displays cultural sensitivity that showed genuine respect.  He was acutely aware that the black parishioners were constantly observing and evaluating to determine if he really believed in what he said, and if he “practiced what he preached.”  TQ observed that once the Africa-American community was convinced that he considered himself equals with them, he was able to communicate on a deeper level. 
An ongoing effort in the African-American community was to counteract the effects of negative stereotypes.  While actions such as introducing the African-American flag and the seven principles of African unity caused controversy with the whites, and even some blacks within the parish, he wanted to overcome the “clichés”  that were holding African-Americans back.  His efforts predate research by Steele and Aronson on the risk of confirming negative stereotypes about one’s group (Steele & Aronson, 1995), and while their research looked at standardized testing, TQ felt those stereotypes, or “clichés” affect all aspects of self-identity.  Quinlan recalls firing two white nuns at The Basilica of St. Mary’s of the Immaculate Conception, “Because they would not make the school black.”  “They didn’t understand why you have to tell a little black kid, every day, you’ve got to say, ‘I am somebody.’ It sounds like a cliché, it sounds boring, it sounds dull, it sounds stupid to white people, but not to black kids.”  TQ talked about the lack of positive self-image and the pernicious effect of self-hate and emphasized the need to start early in life to instill self-esteem in black children.
TQ emphasized the importance of language, and hinted at the linguistic determinists’ view of language controlling thought (Jandt, 2010, p. 131) when he excoriated black parents for the way they talk to their children.  When a black parent tells a child, “Put your black ass down here,” TQ points out, “There’s no difference between a black ass and a white ass, so why emphasize it?  It’s a hidden form of self-hate, inferiority.”  That observation brings to mind the definition of power distance where less powerful members of a society expect and accept the unequal distribution of power (Jandt, 2010, p. 177).  In addition to expecting and accepting this inequality, TQ took the black community to task for perpetuating this mindset through language.

Works Cited
Maddox, K. B., & Gray, S. A. (2002). Cognitive Representations of Black Americans: Reexploring the Role of Skin Tone. PERSONALITY AND SOCIAL PSYCHOLOGY BULLETIN , 28 (2), 250-259.
Dixon, T. L., & Maddox, K. B. (2005). Skin Tone, Crime News, and Social Reality Judgments: Priming the Stereotype of the Dark and Dangerous Black Criminal. Journal of Applied Social Psychology , 35 (8), 1555-1570.
Jandt, F. E. (2010). An Introduction to intercultural communication: Identities in a global community (6th ed.). (T. R. Armstrong, D. Saoud, A. Baker, A. Virding, & G. Dickens, Eds.) Thousand Oaks, California, United States: SAGE Publications, Inc.



Sunday, April 29, 2012

THE PRODIGAL ALTAR BOY BLOG - "Chock Full o'Nuts"


THE PRODIGAL ALTAR BOY BLOG
180-DAY COUNTDOWN
T+1 DAYS AND COUNTING

Documentary Work:
Selected readings:
Shaking the Money Tree – Morrie Warshawski
Directing the Documentary – Michael Rabiger
Started charging batteries for funeral shoot
Preliminary shoot kit assembly:
  • XL1s Camera
  • 14X Manual lens
  • 3X wide angle lens
  • LCD monitor kit
  • Lithium “AA” batteries X 8 (for Zoom Q3)
  • 16GB memory card (for Zoom Q3)


Music Practice:
Stratocaster Warm-Ups
“So What”
Inversion Excursion work

Body Work:
Active Rest

TQ Project Updates

The Inner Circle starts tomorrow and I am excited about that.  I am equally excited about the funeral shoot on Friday.  There is a rumor going around that due to the expected turnout, the funeral may move from Holy Family to the Virginia Beach Convention Center.  I should probably call Monsignor Pitt to check the veracity of that and how that affects our agreement that I can shoot the funeral.  I will weigh that decision over the next 24 hours. 

Jesse Wieman is working on two more paintings from the Virginian-Pilot photos.  He started these before TQ’s passing and I look forward to seeing how they turn out.  Working the paintings into the film will be interesting.  While my original idea of dissolving from photo to painting will still work, I think the paintings can convey their own visual story apart from the photographs they are based on. 

Working in Sony ACID with loop idea for the score.  After the funeral, I want to start working with the BOSS Slicer pedal and eventually put together a “soundtrack” pedal board specifically to be set up to generate and capture soundtrack ideas. 




From TQ"s expanded obituary in the 29 April 2012 Virginian Pilot:


"...according to his wishes, TQ will be cremated, and his ashes poured into a jumbo "Chock-Full-O-Nuts" coffee can, which will be placed in the columbarium of St. Kateri Tekakwitha parish, Poquoson, following an Evening Prayer service, on Wednesday, May 9, at 7 p.m. H.D. Oliver Funeral Apts., Laskin Road Chapel is handling arrangements. Online condolences may be made at www.hdoliver.com."

You can't make this up...stay tuned!