2013
– What a Long Strange Trip
Prodigal
Altar Boy Blog
Recap
11
August 2013
It’s The Final
Countdown (no, really!)
When
I last posted, I was preparing for the Tidewater work-in-progress screening at
the Basilica of St. Mary. I purposely
scheduled that screening for the anniversary of TQ’s death (24 April).
The
screening was a success and I took the 60+
pages of feedback and used that to guide the next round of editing. I had a consultation with Karen Everett at
the end of June and looked forward to a leisurely stroll to the locked picture
phase of editing. In early May, I
submitted the St. Mary’s work in progress cut to Docs In Progress for consideration. I had not heard anything so figuring I had
not made the cut, I put it out of my mind.
In
July, I got word that “The Trouble with TQ” had been selected for their August
9 Works In Progress screening. The
selection was fortuitous in that it pushed me to get that cut done sooner. I used Karen’s written notes from the
consultation and did an edit I also went to work finding a narrator and
arranging to get the narration recorded.
I
got a good referral from Robin
Hamilton for voiceover talent Greg
Williams. Greg
and I hit it off. Hiring Greg was a
stretch for me. The biggest stretch was
becoming a signatory to the Screen Actors Guild (SAG) so I could hire Greg, who is a SAG talent. Even with SAG’s Ultra Low Budget, going the
SAG route was a big step. More on that
experience in a later blog, maybe.
After
narration, I took a few days cutting the narration into the film. I got that done in time to get a copy to the
Takoma Park Community Center so the technical crew could test it on their
system.
Working
with the graphic artist, Roberta Hoffman gave me an opportunity to review Karen
Everett’s video notes. Roberta was using
the notes to fine tune graphics for the film.
I worked on the narration and the some fine cut editing. I finished editing the morning of the
screening. By the time that cut had rendered and DVD’s burned, I had about four
hours until the screening.
The
screening was different from the Tidewater work-in-progress screening. Docs In Progress took care of
everything. All I had to do was show up
with the updated film. Of course, I had
dropped off the paintings from the film the week before.
I was
able to have a light dinner with some of the Advisory Board members before the
screening, and that was an opportunity for members to meet each other and
interact. During the dinner, I got an
email from Erica Ginsberg at Docs In Progress, laying out the ground
rules of the evening.
The
most interesting suggestion was, “The filmmakers who have gotten the
most out of the experience tend to be the ones who spend most of the
session LISTENING silently to feedback rather than sharing war stories or
defending editorial decisions.” It sounded
harsh, but in the end, that was good advice.
The
screening was a success. After the film
finished, Erica invited the audience to share their feedback. The feedback was very thoughtful and
encouraging. Board member Teresa Deltete
took notes to share with the board. The
feedback showed the audience actually watched and paid attention to the film,
so that was good.
Two
former parishioners from St. Kateri were in the audience. I had not met them before, but having them
there added credibility to the film.
Their feedback, as well as the feedback from the rest of the audience,
gave me much to ponder. I will spend a
few days looking for was to address that feedback in the next round of editing.
A
crowdfunding consultant, Kiley
Kraskouskas, from Thinking Forward
Media, attended the screening and we had a brief consultation the next day. Kiley said she really liked the film and my
key to success was to “exploit the niche status” of the film. She gave me some great crowdfunding tips and
encouraged me to “think big” in terms of my crowdfunding goals.
Stay
tuned.